Read this post on Creative COW >> This blog post is going to skate really close to rant territory. I’d apologize for that, but I’m actually not sorry. You’ve been warned. (I did, however, take out all the swearing that would normally accompany this if we talked in person. That’s a premium service. Contact me […]
As I’ve previously mentioned, I’ve been working on the indie feature Ingénue for the last 6 months or so, here and there, as the visual effects editor and title sequence designer (and DVD menu author and end credits designer, for the record.) It was edited by my friend Katie and directed by Kate Chaplin. Ingénue […]
Read a guest post I wrote about time management tips for the new year on Screenlight’s blog.
It’s been a great year, and I thought I’d be clever (what with all the uproar and all) and sum up 2012 with Instagram pictures.
Earlier this year, I wrote a blog about the movie that had the most impact on me as an editor in response to my attendance at Editfest NY. In the post, I stated that Lord of the Rings: Fellowship of the Ring was my first instinct, but it was a wrong choice if we were […]
Read this article on Creative COW >> For the conclusion to my epic trilogy on parenthood in production and post, I’ve been thinking a lot about tortoises. (You may have figured out by now that I enjoy animal metaphors.) You see, a female tortoise will crawl out of the ocean up onto the beach, find […]
>> Read this article on Creative COW In my exploration of parenthood and family in the video industry, I wondered what parenthood looked like to someone who was strictly involved in the production side of things, namely the director. As an editor, I’m not a part of that world, and it’s obviously important to the […]
>>Read this article on Creative COW. As a woman of child-bearing age who has recently begun the descent into the back half of her 20’s, I’d be lying if the idea of reproducing wasn’t at least on my mind. It’s floating around somewhere in the back, mostly, but it’s there. Lurking.
This is an on-going post-production diary I’m keeping while I cut my first feature film, The Impersonators, an indie comedy. To my delight, this year has been filled with many opportunities to get advice and tips on editing from some of the top editors in the world. Between NAB, Editfest, and the weekly Twitter chat […]
Since we met up at NAB in April, Kes Akalaonu and I have been working on developing a podcast, which was unleashed upon the world this weekend. The Track Matte Moment is a podcast filled with an honest conversation about making mistakes, straight from editors and visual effects artists. You can find episode 1 in […]