I talked to editor Dody Dorn on cutting Fury for David Ayers: Film editor Dody Dorn, ACE, is best known for her work on films like Memento, Kingdom of Heaven, and End of Watch, collaborating with such directors as Christopher Nolan, Ridley Scott, and David Ayer. Her latest film directed by Ayer, Fury, involved 16 […]
I interviewed William Goldenberg and Tim Squyres about editing Unbroken. “I don’t think anybody can edit a film to be the best it can be by themselves,” editor Tim Squyres, ACE, told me when I asked him about his first time as co-editor. “You need to push each other and try other things and react […]
“We just wanted to make sure you weren’t an ass****.” That’s what Connecticut-based editor Bryan Capri was told at his first meeting with Synthetic Cinema International (SCI), where he was nervously clutching his resume and reel and hoping for the best. Read the rest of my article at Creative COW >>
I interviewed editor William Goldenberg on editing The Imitation Game. Read it at Creative COW >>
Read this post at Creative COW >> Occasionally I’ll find myself in a discussion about FCP or Avid or Adobe certifications, typically on Twitter because where else do I ever talk to anyone? Usually a younger editor is asking about a specific certification, and a dozen industry vets jump in and go on and on […]
This is an on-going post-production diary I’m keeping while I cut my first feature film, The Impersonators, an indie comedy. To my delight, this year has been filled with many opportunities to get advice and tips on editing from some of the top editors in the world. Between NAB, Editfest, and the weekly Twitter chat […]
This is an on-going post-production diary I’m keeping while I cut my first feature, The Impersonators, an indie comedy. Before the failure, a success: the first teaser trailer was released a couple days ago: And now the rest.