I’m a seasoned problem-solver with a lot of opinions about the way we work in the entertainment industry. With 15 years of award-winning experience in media, and hundreds of television and film credits, I want to use my well-honed sense of user empathy and my well-earned technical knowledge to bridge the gap between creative and technology.
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But not video. This past month and a half, I’ve been doing lots of fall still photography. I’ve done 6 or 7 portrait sessions, and I shot my very first wedding too. Funnily, I like shooting stills more than I like shooting video. Editing video is still tops, but having a thousand images to edit […]
I’ve written before about our new podcast, The Track Matte Moment, but it’s worth mentioning that it’s now on iTunes! Our latest episode is about Evan Pease, an editor in North Carolina. He confesses his silly After Effects mistake and we let him cry it out. We also have two more episodes recorded and will […]
Read this article on Creative COW >> For the conclusion to my epic trilogy on parenthood in production and post, I’ve been thinking a lot about tortoises. (You may have figured out by now that I enjoy animal metaphors.) You see, a female tortoise will crawl out of the ocean up onto the beach, find […]
>> Read this article on Creative COW In my exploration of parenthood and family in the video industry, I wondered what parenthood looked like to someone who was strictly involved in the production side of things, namely the director. As an editor, I’m not a part of that world, and it’s obviously important to the […]
Read my guest post “3 Ways to Get More Editing Work Through Online Media” on Screenlight’s blog.
>>Read this article on Creative COW. As a woman of child-bearing age who has recently begun the descent into the back half of her 20’s, I’d be lying if the idea of reproducing wasn’t at least on my mind. It’s floating around somewhere in the back, mostly, but it’s there. Lurking.
Some great stuff happened on Twitter today and I just want to save it for posterity. How lonely the edit suite would be without the humor of these weirdos.
This is an on-going post-production diary I’m keeping while I cut my first feature film, The Impersonators, an indie comedy. To my delight, this year has been filled with many opportunities to get advice and tips on editing from some of the top editors in the world. Between NAB, Editfest, and the weekly Twitter chat […]
Since we met up at NAB in April, Kes Akalaonu and I have been working on developing a podcast, which was unleashed upon the world this weekend. The Track Matte Moment is a podcast filled with an honest conversation about making mistakes, straight from editors and visual effects artists. You can find episode 1 in […]
This is an on-going post-production diary I’m keeping while I cut my first feature, The Impersonators, an indie comedy. Before the failure, a success: the first teaser trailer was released a couple days ago: And now the rest.