Author Archives: Kylee Peña

Sundance Impressions: Snow and “The Sentence”

The threat (or promise, depending on your outlook) of snow delivered today in full force. So much so that I was taken off guard and missed an early screening due to basically being buried in a snow drift. I was … Continue reading

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Sundance Impressions: Main Street, Friends, and Lizzie

Boarding my flight from LA, I knew I was in for an interesting trip when half the people around me were already wearing snow boots and hats. It was a chilly morning by Southern California standards, but my sweaty self … Continue reading

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Searching: Creating Cinematic Drama From Small Screen Trauma

On the feature film Searching, editors Nick Johnson and Will Merrick were tasked with some hefty new challenges: a film shot almost entirely on GoPro (with a little dash of iPhone and MiniDV) requiring thousands of layers of continuously rasterizing … Continue reading

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Being a Post PA on a Sundance Indie Feature

Before the lush celebrity gift suites, the sold-out Q&A sessions, and the long lines of frozen but eager cinephiles trying to grab the hottest ticket in Park City, a movie was made — and it was hard work. And behind … Continue reading

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Follow Me at Sundance This Week

Tomorrow morning, I’m jetting off from sunny Burbank to snowy (frigid, icy, frozen) Park City, Utah to cover the 2018 Sundance Film Festival here on the COW. I’ve got furry snow boots, long underwear, and a handful of tickets that … Continue reading

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2017: Year in Pictures

Sometimes I get to the end of the year and feel I haven’t accomplished enough. When I review my Camera Roll, I realize why I’m so tired. 2017 was an exhausting year for a lot of reasons. But so many … Continue reading

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The Myths of Setting Goals in Post Production

If you work in post production, you’ve probably described yourself a number of ways. Curious. Goal-oriented. Driven. Ambitious. And as 2018 approaches, the urge to revisit your goals as a professional naturally rises. There’s not much to back up the … Continue reading

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Living The American Dream: Editing Sharknado 5

Ana Florit is your typical Los Angeles-based film editor: among other things, she grew up in the French Alps, moved to Paris, directed a one-hour movie, moved to LA, and has worked on five Sharknado movies, including the most recent, Sharknado 5: Global … Continue reading

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What’s the Deal with that Content-Aware Fill for Video Thing Adobe Showed Us?

Last month at Adobe MAX in Las Vegas, we saw Project Cloak for the first time. The research project and experiment is still in development, and it may or may not ever be in a Creative Cloud product, but it … Continue reading

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Adobe MAX Recap

I went to Adobe MAX in Las Vegas this October, and here’s some of my coverage! Yes, Adobe CC Video Apps Updated at MAX Day 1 at Adobe MAX: Things People Said Sneaking on the Future of Creative Technology at … Continue reading

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